Ballettikka Internettikka - www.intima.org/bi

 
#actions

Net Ballet
Internet 2001

Ballet Net
The Bolshoi Moscow 2002

M-III RoboBallet
Bergen 2003

BRVI - RealVideo
Aksioma 2003

Autto Mobillikka
Ljubljana 2004

Illegallikka Robottikka
La Scala Milan 2004

BEO Guerrиllиkka
NP Belgrade 2005

Volks Net Ballet
Volksbühne Berlin 2006

Portraits
2007

Aeronauttikka
2007

Renmin Net Ballet
Hong Kong 2007

Stattikka
Dresden 2007

Olymppikka
Fire Polygon 2008

Hydraullikka
Madrid 2008

Intermenttikka
Seoul 2008

Norddikka
Svalbard 2008/09

Nipponnikka
M. Torishima Japan 2009

Insecttikka
Hamburg 2010

SubAquattikka
Ljubljana ZOO 2010

Antarcttikka
Internet 2011


supplement:
Radiophonnikka
Radio Slovenia ARS 2017
.

Balletikka Internettikka

Low-Tech Internet Para-Ballet by Igor Štromajer & Brane Zorman | 10 years: 2001-2011 | www.intima.org/bi

Janez Janša, Igor Štromajer, Brane Zorman: Ballettikka RealVideo Internettikka, 2003

Ballettikka RealVideo Internettikka - web center: www.aksioma.org/brvi


# Hand Granade + Red Code, 2003

- video: Janez Janša
- music composed and performed by: Brane Zorman
- performers: Igor Štromajer, Brane Zorman
- produced by Aksioma, 2003

Project was premiered in Moderna galerija Ljubljana - Slovene Museum of Contemporary Arts and at the Television Slovenija - Kultura, Ljubljana, Slovenia in December 2003 (in the frame of U3 - 4th Triennal of Contemporary Slovenian Art: Here and There; curated by Christine Van Assche, Chief Curator and Curator of New Media at the Centre Georges Pompidou).

Ballettikka RealVideo Internettikka is a self-contained action in the tactical project Ballettikka Internettikka, which began in 2001 with the exploration of Internet ballet. The second installment, in March 2002, consisted in Stromajer and Zorman carrying out an illegal ballet invasion in Moscow's Bolshoi Theater and transmitting it live on the Internet. Here, Stromajer and Zorman have brought together two Moscow performative acts: the ballet break-in in the Bolshoi and the Chechen terrorist act in the Dubrovka Theater in October 2002.

Moscow, as a juncture of avant-garde movements and political symbolism, unites the two actions: the homicidal-suicidal terrorist act represents the ritual manifestation of the intimate sacrifice of one's own body, as well as of those of others, while ballet represents a strategic sacrifice of the dancer's body as it is honed into a flawlessly functioning machine. "Terrorism is theater," Brian Jenkins tells us, but in the end, all aesthetic norms are abandoned and all that is left is tactics, both in art and terrorism.

Ballettikka RealVideo Internettikka makes a contribution to the misunderstanding of contemporary postmodern terrorism and democracy's fear of fanatic devotion; it represents a fascination with criticism of the system and with appeals to the beauty of dying. Through performative disturbances of the electronic medium, which opens itself up to emotion and the flesh of the body, identity is transformed. "We've come here to die!" proclaimed Barayev, the Chechen terrorist leader, as the group disrupted the Moscow performance of the musical Nord-Ost. "We've come here to dance," wrote Štromajer, as an Internet connection was established with the Bolshoi Theater and the wireless ballet began, seven months before Barayev's dying.

Additional information about Ballettikka RealVideo Internettikka:
+ Ballettikka RealVideo Internettikka web center: www.aksioma.org/brvi
+ BI FLICKR Photo Set
+ Facebook
+ Twitter

"We shall fight them on the beaches. We shall fight them on the landing grounds. We shall fight in the fields and in the streets, we shall fight in the hills. We shall never surrender."
(W. Churchill)
Igor Štromajer Virtualna baza Intima Igor Štromajer Intima Virtual Base Ballettikka Internettikka







Ballettikka Internettikka - www.intima.org/bi